Index card found in Stuart Hall book
2/17/18
Photographer’s position—what does it articulate? Seems “solitary,” to reinforce world/subject dualism. No way out of that—as Nakahira shows conclusively. He's the end Provoke isn’t the end of modern photography—Documentary is. But what kind of “collective” subject could a photographer bring into being? What kind of subjectivity can be articulated?