Computational Photography
Parikka (2023, 188) notes that the pulse operating in LiDAR images is a “good conceptual route to understanding” the constant background modelling of space and action that has taken the place of earlier conceptualizations of photography as an image formed of a singular shot. Replacing the concern with what is sensible to the phenomenological subject are questions of what the sensors map and perceive or what the CNNs predict and doctor. 322
Talking about the “the crisis of the phenomenological subject” 322
Hou, Ekalan. “Computational Photography: The Production of Perpetual Targets.” Photography and Culture 18, nos. 3–4 (2025): 313–33. https://doi.org/10.1080/17514517.2025.2516337.